| Artist Statement
I am a descendent of Tlingit lineage that can be traced back 10,000 years.
Our grandmothers and great grandmothers are the keepers of legends that mark
our migration to the icy water's edge. Through my mother Ldaneit, I am recognized
as a member of the Shaa Hit (Mountain House for Mt. Fairweather) in Yukutat.
We, as well as our progeny, belong to the L'uknaxa'di (Coho) clan and the
Yeil (Raven) moiety. I created this work in honor of my ancestors, my mother,
my children and grandchildren.
For centuries entrepreneurs have regarded the state of Alaska as a storehouse
of consumable resources. Russian fur traders hit the shores of the Aleutian
Islands in the late 1600's in search of sea otters. Soon after the Russians
came gold miners and fishers from the south, to name just a few. Each encounter
from outside groups has had an impact on the environment, the economy, and
Native cultures. During the prior century, the extraction of oil from Alaska's
North Slope had the most dramatic affect on Native cultures. In 1971 congress
passed the Alaska Native Claims Settlement Act that canceled the land freeze
previously established by Native leaders and opened the land for oil development,
as many are trying to understand the ramifications of the last oil settlement.
A promise of better economic future greatly contrasts with the struggle to
maintain traditional life styles and a unique world view.
The Alaska Native Claims Act of 1971
In the late sixties and early seventies, there was a national push for the
development of domestic oil and Alaska's oil fields became the primary target
for production. Prior to extracting oil, the U.S. Government negotiated a
settlement with Alaska's indigenous peoples. Government officials as well
as Native Leaders believed giving land and start-up money to Native-run
corporations instead of tribes would bring wealth to Alaska's indigenous
people. As a result, congress passed the Alaska Native Claims Settlement
Act in 1971. At this point Alaska embarked on the most extensive social
experiment in the state's history. The building of the pipeline transformed
Native identity, life styles, tribal, state and government relations forever.
Under the terms of ANCSA aboriginal land claims were dissolved and title
to 1/9 of the state's land and $92.6 million was granted to 13 regional and
over 200 village corporations. As a member of a regional corporation I have
witnessed the escalation of wealth for just a few and continued poverty for
shareholders. Today several corporations are struggling to maintain and are
on the brink of bankruptcy. With bankruptcy comes a loss of assets including
corporate owned land, the one element that will guarantee profit in the
capitalist system, and is the most crucial element in perpetuating our sense
of identity.
The enactment of the Alaska Native Claims Settlement Act also altered Tlingit
identity by implementing new standards for recognition that were initiated
with the Daws Act of 1887. This act, also known as the General Allotment
Act, made the allotment of land to individual Indians and the breaking up
of tribal landholdings the official policy of the United States. To receive
title to land as an indigenous person in 1887 one had to prove they possessed
1/2 aboriginal blood. Through ANCSA one had to prove they possessed 1/4
aboriginal blood. Although the tribes today have the right to set their
own standards of recognition, this practice of recognition through blood
quantum restricted many indigenous peoples from being accepted into the
corporations. In order to become a shareholder corporations of a corporation,
for instance, one had to prove they possessed 1/4 aboriginal blood quantum
and had to have been born prior to 1971. As an example, my son, Richard,
who is 1/4 blood Tlingit and was born in 1971, was recognized and my daughter
Vanessa, born in 1974 was not recognized. She is a member of my corporation
however, because I gifted her 25 of my 100 shares. Native Alaskans born after
1971 become members of a corporation through the gifting of shares or through
inheritance. I am gravely concerned about the stipulation that forces corporate
shareholders to gift for recognition and for those who have not been recognized.
Does ANCSA represent termination in disguise? Is it part of the assimilationist
cycle? If ANCSA represents the social and legal dilution of a tribe, it does
not represent the loss of power to fight for our rights.
Despite the unanswered questions and concerns about ANCSA and its impact
on our sense of identity, I believe in our ability to fight oppressive acts
of distillation. Through my art I am honoring those who work in the best
interest of our cultural heritage. My art work reflects our ability as indigenous
people to retain our cultural heritage despite corporate and the U.S. Government
standards of identification. Glass vials filled with red fluid serve as a
metaphor that cancels out the measurements of blood quantum and represents
innate knowledge that remembers our past. We know that we are members of
specific clans whose legends remind us of our origins from the animals of
the land and water who migrated from the south, not the Bering Strait.
The vials represent our strength in terms of numbers and attitude. The Tlingit
war helmet on rawhide represents our strength to resist entities that threaten
self awareness and cultural identity. In this installation it serves as a
protector of our rights and is strategically placed in front of blood vials
and the neon Tinna.
The neon shape is modeled after a traditional form called a Tinna, Also known
in this area as a copper. The Tinna was and continues to be used as a symbol
of wealth. I believe we, as a people, are rich in culture and possesses the
ability to survive, to adapt and still maintain our identity. The exhibition
represents and honors our past and our future. |