As
a child there were many who were involved in teaching the many aspects of
culture which were making regalia using beading, button blanket making and
weaving. However the main techniques this artist uses in her weaving were
taught by Deloris Churchill. As a featured artist in the first fashion show
in which one of the goals was to work with disadvantaged youth there were
two full sets of regalia featured. This included Red Cedar bark hats, button
blankets, dresses, moccasins, some pouches and a vest. This was held the
weekend before the 2000 celebration started. As a featured artist she was
the first Tsimshian to be recognized for "weaving" since the mid 1980's.
In 2001 she moved to Bellingham, Washington, to attend Northwest Indian
College, to pursue a degree in Native American Studies. Currently a member
of Phi Theta Kappa, she attended a conference for AIHEC which is the American
Indian Higher Education Consortium. She received 1st, 2nd & 3rd place
in the art competition in April of 2002. The first place item was her button
robe blanket; the second and third place awards were for her weaving, which
was recognized as 'functional art'. Education has always been important and
teaching weaving has been the main goal! She is now working as a weaving
instructor for the College, teaching Pacific Northwest Coast weaving part
time. Mary also currently works as a volunteer at various Head Start programs.
She taught ages preschool to adult in her home state of Alaska, Washington
and in British Columbia, Canada.
Some of the works featured here are for sale and it is dependant on
materials available. A majority of the work is done with Red Cedar bark which
is common in Tsimshian weaving. The work involved in making some of these
baskets and hats takes a long time. For instance, the basket in which the
ravenstail is used takes anywhere from 30-40 hours depending on the weaver.
Although most people are not willing to pay what it's worth, she wanted to
display them for showcase. If you are willing to wait for them then something
can be worked out if the materials are available. A constant effort in
maintaining the form and techniques of traditional weaving is important and
can be found in a majority of the work featured here.
You can find her work with collectors who value the honor of this
time honored tradition. They are in Japan, Germany, New Zealand, Canada,
and in the United States, in Alaska and California. It's quite an honor to
be able to do something the Tsimshian women did long ago and to be able to
teach it! |